What Is This Ad For? The Brief Nobody Writes, and the Budget That Pays for It

The complaint arrives in almost identical wording from marketers in Dhaka, Delhi, Manila and Milan. Paid media used to work. Now the same budget buys fewer customers than it did…

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The Cost of Being Heard: Why Sending More Messages Makes Customers Listen Less

Start with the detail that should trouble anyone who works in this business. When CSG surveyed consumers about brand communication last year, 59 percent said they had deleted something genuinely…

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The Collab Economy: Why Every Brand Suddenly Wants to Wear Another Brand’s Logo

Coca-Cola is selling Crocs, Nike is co-branding with Kim Kardashian, and Louis Vuitton opened 2025 by reviving a twenty-year-old partnership. Behind the strange pairings sits a trade that has become…

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From presence to dominance: de-risking Bangladesh’s next digital advertising growth curve

Bangladesh's digital advertising market has outgrown the credit it's been given. At Roar Global, we've spent the past year advocating for it. Now we're pushing for its next stage of…

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In Praise of the Unhinged — The strategic case for weird in an age of infinite feeds

Liquid Death sells water like a heavy-metal album. Duolingo killed its own mascot. In an internet too crowded to notice the safe, calculated strangeness has become a serious growth strategy,…

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Inside Cannes Lions 2026: Creativity, AI and the New Rules of Global Marketing — What Bangladesh Must Learn from the World’s Biggest Creative Stage

Festival Representative, Cannes Lions International Festival of Creativity The World’s Creative Capital for One Extraordinary Week Every June, the French Riviera town of Cannes turns from a beach resort into…

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Multisensory Branding How Sound, Motion, and Touch Are Becoming Core to Brand Identity

Mastercard dropped its own name from its logo. BMW hired Hans Zimmer to give its silent electric cars a voice. As media goes audio-first and screen-everywhere, the logo is no…

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